Another day, another ‘found footage’ thriller. Closed
Circuit (based on the novel Circuito Chiuso) is an English language horror
movie set in Rome. On April 15th 2010, Francesca Pardi, 23,
mysteriously disappeared into thin air. After months of searching with no
success, two of her friends convince themselves that David De Santis is
involved. The judge following the case doesn’t believe them.
Claudia and Daniele take the law into their own hands when
they break into his house and set up spy cameras to find out the truth, but
what they discover is about to tear their worlds apart. Claudia finds herself
in the eye of the storm, about to witness first hand the full force of David’s
terrifying secret. Amato’s adaptation of his own novel is formulaic,
predictable and largely uneventful, but in the right hands Closed Circuit
could have been so much more.
The spy cameras are put in place and nothing really happens
for the first fifty minutes. That’s right, fifty excruciating minutes. Claudia and
Daniele fool around as they set up the cameras but we don’t really get to know
anything about them, certainly not enough to care when the shit hits the fan.
The rest of the time is spent watching David go about his mundane existence. We
watch him come home from work, drink beer, eat pizza and wander around the
house in his pants – he scurries around in his pants an awful lot.
I’m sure this film would have found a larger audience had it
starred Ryan Reynolds wandering around the house in his underwear, but David is
an unattractive man, so the thought of watching him butt naked doesn’t appeal
in the slightest. I should have gone with Emma Stone but you get the point.
You’ll be pleased to know we get plenty of nudity in act two. Still, credibility is key when it comes to this kind of concept, so it does make
sense that the opening act is a little on the slow side. David lives alone,
except for the occasional neighbourly whore, so it stands to reason that his
life isn’t particularly interesting to watch.
As the film progresses we learn that David is on the look
out for a babysitter, but he’s not at all interested in the more ‘mature’
variety. As it turns out he’s partial to the occasional hot Russian university
student – alarm bells should be ringing right about now. Being something of a
social dinosaur, he comes across as creepy whenever he talks to the girls in
broken English, so it’s hard to believe that they don’t make their excuses and
get out of Dodge. But then again, we wouldn’t have much of a movie if they did
make an early escape. I couldn’t quite work out why everybody was speaking
English anyway; I suppose the use of subtitles would have lessened the overall
effect of the ‘genuine’ camera footage.
It’s not until 48 minutes in that Amato delivers his first
‘shocking twist’. The only problem being, there’s nothing remotely intriguing
about what takes place from here on in. The central premise is way too
familiar, and the characters at the heart of the picture aren’t captivating
enough to cover over the cracks. The sound effects are jarring too, proving a
distraction whenever the movie changes camera. There are some nice touches
littered throughout (captions appear on screen whenever we witness something
that might be of interest to the investigation), neat little flourishes that
add to the realism of the piece, but when you combine these moments with
Claudia and Daniele’s tiresome exchanges and David’s laborious everyday
routine, there’s just not enough to keep you enthused.
Had Closed Circuit delivered a rousing finale, we could have
forgiven Amato for his cumbersome delivery. However, the ending is weak and predictable, and there’s little chance of you caring about Claudia’s fate. Much
like the majority of ‘found footage’ thrillers made over the last few years,
Closed Circuit is a slow, unsurprising and ultimately pointless horror hampered by weak performances and tiresome cliché. If Big Brother really is
watching, you can bet your life he’s the only one. AW
No comments:
Post a Comment