Bodyguards and Assassins brings together an all-star cast
for a retelling of significant events in modern Chinese history. Westerners
might not be familiar with it but that’s not really a problem, the
assassination attempt on Sun Yat-sen's life in 1906 is given lots of room to
breathe. Donnie Yen, Tony Leung Ka Fai, Nicholas Tse and NBA basketball player
Mengke Bateer are just some of the big names along for the ride. Hu Jun plays
the leader of the Qing assassins, while Eric Tsang, Simon Yam and Fan Bingbing
take supporting roles. We shouldn’t forget Zhang Hanyu, Jacky Cheung and
Michelle Reis, who all make cameo appearances. Hong Kong films don’t get much
bigger than this.
Exiled Chinese revolutionary Sun Yat-sen is returning to the
British colony to meet with alliance leaders about upcoming plans of
insurrection against the Qing imperial government. That reads like the opening
crawl of Star Wars: Episode One. In China, the Qing send out official Xiao Guo
(Hu Jun) to spearhead Sun's assassination. In Hong Kong, activist Xiao Bai
(Tony Leung) and businessman Li (Wang Xueqi) gather bodyguards to protect Sun.
The basic premise is relatively straightforward enough, and Teddy Chan spends
the best part of an hour introducing us to his characters.
It’s the – seemingly – less significant characters that make
the biggest impact. Crooked cop Chung Yang (Donnie Yen), rickshaw driver Ah Shi
(Nicholas Tse), beggar Lau (Leon Lai), Shaolin monk Stinky Tofu (Mengke
Bateer), and Li's son Chung Guang (Wang Bo Chieh) add depth to the
multi-layered drama before laying down their lives for a common cause. That
would be the Tung Wai-choreographed action finale then, which practically plays
out in real time on a lavish set that recreates early 1900s Hong Kong Central
District.
If you’re tuning in for Donnie Yen then be warned, the
worlds coolest action star doesn’t actually get to kick anybody for at least
seventy minutes. He has a small but significant role, and for the best part of
an hour the cast are asked to act first, kick ass later. It’s the attention to
character that separates Bodyguards and Assassins from the chasing pack, be
very clear on this point. Teddy Chan’s latest is a period drama first, action
spectacle second. Approach the film from this angle and you’ll have a lot more
fun.
Nicholas Tse stands out as the simple-minded rickshaw driver
Ah Shi. It’s also hard to ignore the hulking frame of basketball star Mengke
Bateer. I was hoping to see him kick some serious ass in the films final act,
and while his story arc does offer up a fine line in heroic bloodshed, I think
perhaps I was asking too much. Maybe I’ve been watching too many Bruce Lee
pictures of late. The big pay off – basically a forty-minute chase sequence –
is well worth the wait, but not for the reasons you might expect. The action
sequences are handled well enough, and yes, Donnie does get to cut loose on the
carnage, but it’s the attention to detail that holds your attention throughout.
The Central District set is stunning, and all the more
beautiful as we watch it crumble under a hail of bullets, bodies and bloody
warfare. Teddy Chan does well to connect the vast array of characters, though
he loses points for over-egging the sentimentality. Having said that, this is
commercial Hong Kong cinema, where would we be without a little emotional
blackmail? Besides, Teddy Chan should be commended for seamlessly blending
period drama with obligatory action excess. You might be tempted to compare the
film to Donnie Yen’s Ip Man, but the two movies approach similar themes in
different ways. One film takes the action drama route, the other works in
reverse but with equal success.
It’s certainly not perfect cinema, and doesn’t fully connect in either guise, but there’s plenty to enjoy when all is said and done. Not the Donnie Yen picture you may have been expecting, but a worthwhile venture all the same. Bodyguards and Assassins is an entertaining change of pace, blessed with beautiful cinematography and a rousing finale. You might even learn a little something along the way. AW
It’s certainly not perfect cinema, and doesn’t fully connect in either guise, but there’s plenty to enjoy when all is said and done. Not the Donnie Yen picture you may have been expecting, but a worthwhile venture all the same. Bodyguards and Assassins is an entertaining change of pace, blessed with beautiful cinematography and a rousing finale. You might even learn a little something along the way. AW
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