Thai director Chukiat Sakveerakul wants to play a game with
you. Adapted from the ‘My Mania’ comic book series written by Eakasit Thairaat
– which successfully blends violent action, black comedy and social commentary
– 13: Game of Death tells the tale of a desperate man caught up in a horrifying
underground game.
Thai-American singer/actor Krissada Terrence stars as
‘average Joe’ Phuchit, and you have to feel sorry for him, in no time at all
he’s lost his girlfriend and car, not to mention the thankless job he clambers
out of bed for each and every morning. To make matters worse, his own mother is
bleeding him dry. So it's little wonder that he’s more than a little curious when
a mysterious caller invites him to participate in a secret game.
The prize; 100 million baht. All he has to do is complete
thirteen tasks in one day, the first of which seems straightforward enough.
Sounds like a plan, though I have to say from personal experience, killing a
fly can be quite a tricky task unless you’re blessed with the reflexes of Mr
Miyagi. The next challenge is to eat the fly he’s killed. There's no turning
back for Phuchit now (an appropriate name when mispronounced); he only has eleven
more challenges to overcome, but what starts simple turns deadly as the tasks
become increasingly dangerous, sinister and disturbing.
It’s an intriguing premise then, and Sakveerakul handles
directorial duties well enough. The first thing you will notice is the delightful
humour running through its veins. A hallmark of recent Thai productions, the
screenplay is littered with black humour and random quirkiness. Take Phuchit’s
work colleagues for example, one of which reports him for assault after an altercation.
In order to fill out the police report the officer needs to know his full
title, but Phuckit lives such a meaningless existence not even his boss knows
what his last name is.
The more outrageous the circumstance the more humorous the
film becomes, and it certainly makes for an entertaining ride. Phuckit reaches
breaking point early on; a broken man without fear and emotion replaces the
meek and mild doormat of the opening act. Sakveerakul could have taken the
David Fincher approach – all dark, gloomy and self important – but he opts for
a lighter tone that embraces the absurdity of the situation. Though it has to
be said, you would think a criminal on the run might consider changing his
blood stained shirt every once in a while.
The film isn’t without its faults. Some of the early
challenges lack invention, and thrills for that matter. Modern horror audiences
have grown up with the likes of Saw, Martyrs and Frontiers, which pave the way
for deeper waters and darker consequence. The opening challenges in 13: Game Of
Death are mild – silly even – by comparison. It’s not until the final act that
events take a terrifying turn for the better.
Not only that, 13: Game of Death often feels like a one-man
show because the supporting players don’t really get a look in. There is a cop
on Phuckit’s tail but you will do well to notice him. His female co-worker/love
interest fares a little better but the role still feels under-developed. Her
continued presence lacks meaning and serves only to extend an all ready ample
running time. Having said that, the ending really is a blast. It’s
bleak, devastating and the less said about it the better.
13 might be unlucky for some but Game Of Death should be
considered anything but. Dark and deadly with a delicious sense of humour, this
is one Thai thriller well worth the roll of a dice. So why don’t you take the
call? You never know, it might be your lucky day. AW
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