"Forget comparisons to the Twilight Saga, try to ignore
similarities to Battle Royale and The Running Man, focus instead on a sublime
lead performance, post-apocalyptic anarchy and Woody Harrelson’s hairpiece. The
Hunger Games is based on Suzanne Collins’ best-selling novels, set in the ruins
of North America. Every year each of Panem’s twelve districts is forced to send
a girl and boy to compete in The Hunger Games. Part entertainment, part
intimidation tactic; The Hunger Games are a nationally televised event in which
the 24 "Tributes" must fight to the death, until a lone survivor
reigns supreme.
When her little sister is picked to compete, Katniss
Everdeen (Jennifer Lawrence) volunteers in her place. She is helped on her way
by drunken former victor Haymitch Abernathy (Woody Harrelson), battling the
fierce combatants and taking down love in the process. A strong cast is on hand
to see her through, with Donald Sutherland, Elizabeth Banks and Stanley Tucci
proving especially memorable. Liam Hemsworth, Josh Hutcherson, Wes Bentley and
even Lenny Kravitz add further weight to an impressive roster, providing the
saga with plenty of ammunition for later rounds.
The Hunger Games doesn’t play out in the way you might
expect. The opening act is a slow-burner, with minimal dialogue and Indie
trimmings. It sure is slow to find its feet but Jennifer Lawrence is as
captivating as ever, and in hindsight, The Hunger Games benefits greatly from
steering clear of the Hollywood gleam machine. Gary Ross paints a unique
picture, drowning Panem in flamboyance and colour, a stark contrast to the
brutalising battlefield awaiting the contestants in the final act. The Hunger
Games has its fair share of violence too, with swarms of killer insects, death
by javelin and a terrifying opening stampede that oozes tension from every
pore. Ross cuts away from the bloodshed, but the ‘less is more’ approach works
in the films favour, allowing the viewer to fill in the blanks left behind by
his admiral direction.
Romance rears its ugly head of course, and its hard to
tell whether Hutcherson and Lawrence have the chemistry to pull it off, but
Hemsworth is waiting in the wings to provide the saga with a gushy love
triangle that shouldn’t resort to who can get their shirt off first. I’ve yet
to see how this one plays out (I don’t do books) but Gary Ross - with his fresh
approach to over familiar material - has more than wetted my appetite for
further instalments. Lawrence is asked to hold the film together through
sluggish terrain in the second act, and she hits the target with deadly
precision, but there’s more to The Hunger Games than one great performance, and
time will tell whether Gary Ross’ enthusiastic opener can lay the dawdling
demons of Twilight to rest." AW
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